![]() Dolby noise reduction and improved forms of tape created especially for the cassette helped improved its sound quality so that it nearly equaled that of the LP record. Although it started as a cheap format for teens, engineers made so many improvements to the basic cassette technology that pretty soon it was acceptable to include it in "hi-fi" home audio systems. When the quality of automobile cassette players improved in the mid-1970s, more and more people abandoned the eight track. Pre-recorded cassettes were a little cheaper than eight track tapes, and they were considerably smaller and more convenient. But what the 8-track could do well, the cassette could do better, and by the middle 1970s it was catching up. It quickly became one of the most popular options for new cars in the United States, and became the first truly successful portable tape product. In 1965 William Lear introduced an 8-track tape player, a new tape cartridge to use in cars. ![]() The cassette remained the medium of choice for making inexpensive recordings at home, while another form of cartridge briefly stole the market for pre-recorded albums on tape. Pre-recorded cassette tapes sold poorly, however, because albums offered better sound quality and were often less expensive. At first it was just a fad, but later young people used blank tapes as a way to share recordings and create a music collection at very low cost. Introduced in the United States in 1964, the medium was an instant hit with teens. Less expensive than its predecessor, the reel-to-reel recorder, the cassette was aimed at a new market-ordinary people willing to sacrifice sound quality for inexpensive recordings. In 1962 the Phillips Company of Eindhoven, The Netherlands introduced the cassette and cassette player to the European market. Although the cassette would move to the forefront of high fidelity audio, it originally appeared as a child’s toy. It came roaring back in the early 1960s in the form of the Phillips “Compact Cassette,” today simply called the cassette. In the 1950s, magnetic tape looked like the obvious replacement for the disc, but it fizzled. ![]() "RHODES" is a registered trademark of Joseph A Brandstetter.A Phillips Carry-Corder cassette recorder from the mid-1960s. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Real sampled noise from a Type 1 CassetteĪny references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only.Wow & Flutter engines rebuilt to focus on smoother emulation.Dynamic saturation curve algorithm implementing hysteresis and including oversampling.Selectable Type 1 Cassette Impulse Response (IR).Alternatively, you can take it further than the material limitations of tape and push the parameters into a far more experimental soundscape, as a sound design tool. Now you can easily add that classic sound to an entire track or use it directly on individual channels for added movement, texture, and warmth. In addition to this, you now have two VU meters to monitor your audio as well as selectable oversampling. Following up from Caelum Audio's well-received Tape Cassette 1, Caelum Audio have updated the plugin with a sleek interface and more changes under the hood too.Īlong with a brand new selectable Type 1 Cassette Impulse Response (IR), Caelum Audio have improved the saturation algorithm, wow & flutter engine and implemented real sampled tape noise, all which results in a wonderfully warm and more accurate vintage sound. Tape Cassette 2 is an audio plugin that emulates the warmth, noise and character of old tape cassettes.
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